‘In Our Blood’ Exploring the Constraints and Innovations of Found Footage in a Modern Horror Classic
Pedro Kos, an acclaimed Oscar-nominated documentarian with films like ‘’Rebel Hearts’’ and ‘’Lead Me Home’’, steps into the world of narrative fiction with his debut feature, ‘’In Our Blood’’. Kos’s approach to this film is heavily influenced by his documentary background, integrating a pseudo-documentary framework to explore the depths of horror through the lens of vulnerable communities. While this choice steers the film into the familiar territory of found footage horror, Kos manages to inject a refreshing twist into the genre’s well-established tropes.
In ‘’In Our Blood’’, the plot revolves around Emily Wyland (Brittany O’Grady), a filmmaker who decides to document her strained relationship with her mother, Sam (Alanna Ubach), after a decade-long separation caused by addiction. Emily enlists the help of cinematographer Danny (E.J. Bonilla) to capture this intimate narrative. However, the film’s direction takes a dramatic turn when Sam suddenly goes missing. This unexpected development transforms the documentary project into a high-stakes search for Sam, with Emily and Danny, joined by local social worker Ana (Krisha Fairchild), delving into Sam’s troubled past. As they uncover ominous clues and face increasingly hostile encounters, the search becomes fraught with danger and unsettling discoveries.
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Kos, collaborating with screenwriter Mallory Westfall, opens the film with a striking scene where Emily, covered in blood, addresses the camera. This moment is quickly reversed to show the more hopeful beginnings of Emily and Danny’s venture into the desolate town of Las Cruces. The stark contrast between these scenes sets the tone for a journey from hope to horror. O’Grady delivers a nuanced performance as Emily, whose complex feelings towards her mother are both poignant and relatable. Ubach’s portrayal of Sam is equally compelling, capturing a character marked by deep remorse and struggle. The tension between Emily’s relentless pursuit of answers and Danny’s more cautious, empathetic approach creates a dynamic that drives much of the film’s emotional weight.
The film’s exploration of Las Cruces’ dark underbelly ranging from marginalized communities and rundown bars to local gangs serves as a backdrop for the escalating tension. Kos’s depiction of these environments is both gritty and authentic, providing a realistic portrayal of places often neglected and ignored by mainstream society. This aspect of the film adds a layer of depth and authenticity, especially in its treatment of addiction and its impact on individuals and communities. Emily and Danny’s quest for answers leads them into increasingly dangerous and threatening situations, where Danny’s cautious instincts contrast sharply with Emily’s escalating recklessness.
As Emily and Danny dig deeper, the found footage format begins to show its limitations. The genre’s well-worn tropes become apparent, and the predictability of some plot developments detracts from the film’s impact. The constant use of shaky camera work and the reliance on jump scares can sometimes feel formulaic, undermining the more nuanced aspects of the narrative. Despite these constraints, Kos’s commitment to exploring the film’s themes of addiction, vulnerability, and societal neglect brings a fresh perspective to the genre.
Just when the film appears to be settling into a predictable pattern, ’In Our Blood’’ finds its stride. The climactic moments deliver a series of revelations and unexpected twists that effectively reframe much of what has come before. These final revelations offer a new perspective on the narrative and characters, turning earlier frustrations into a more forgiving light. The film’s ending, marked by its curious and thrilling nature, leaves viewers with a sense of unresolved tension and a desire for further exploration.
While ‘’In Our Blood’’ relies heavily on its protagonists’ growing fear to drive the horror, the film’s adherence to found footage conventions limits its potential for innovation. Nonetheless, Kos’s skillful direction and the strong performances from the cast create a compelling narrative that engages viewers despite its genre constraints. The film’s exploration of its themes and the intricate character dynamics contribute to a satisfying, if not entirely original, conclusion.
‘’In Our Blood’’ offers a unique spin on the found footage genre, thanks to Kos’s documentary-style approach and the film’s exploration of deep, societal issues. While it occasionally falls into predictable patterns, the film’s fresh take on familiar tropes and its strong performances ensure it remains an engaging watch. The final act’s revelations and the gripping nature of the climax elevate the film, making it a notable entry in the horror genre that leaves audiences both satisfied and intrigued.
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