Championing Creativity Beyond Traditional Boundaries
Elle Fanning, coming off her ambitious dual performance in Predator: Badlands, is using her spotlight to push for something she believes the film industry desperately needs: a broader, more inclusive attitude toward genre cinema during awards season. For Fanning, dismissing films simply because they fall under sci-fi, horror, fantasy, or action is not only creatively limiting—it’s artistically unfair.
In a recent conversation with THR, the Emmy and Golden Globe nominee expressed her frustration with preconceived notions surrounding genre work. “Just because it’s genre, I don’t think people should be biased. I don’t agree with that: a film is a film!” she said, emphasizing that innovation and emotional impact aren’t confined to prestige dramas or traditional awards-friendly fare.

Fanning pointed to recent milestones as proof that the cinematic landscape is changing—albeit slowly. She highlighted Demi Moore’s acclaimed turn in The Substance, a bold body-horror film that earned widespread praise but still battled against the stigma often attached to horror. She also referenced the groundbreaking multiverse epic Everything Everywhere All at Once, which stunned many industry observers when it broke through barriers to sweep major awards. “We are broadening it, and I think that’s important,” Fanning noted. “I feel like we are pushing toward opening it up a little bit more.”
For Fanning, this shift is essential, not just for recognizing established talents but for uplifting emerging filmmakers who thrive in imaginative spaces. “It’s important to cultivate creativity and young directors with their ideas, and to have that be noticed,” she explained. “There shouldn’t be a mathematical equation for what is the proper thing to do. I hope it continues to change.”

Her passion for genre filmmaking is reflected directly in her work. In Predator: Badlands, Fanning takes on the unique challenge of playing two characters—a task she didn’t approach any differently simply because the project is rooted in sci-fi action. What fascinated her most was how the film demanded emotional depth, physical endurance, and comedic precision all at once. “I saw it as a real acting challenge,” she said. “Then you put on top of it the physical challenge—it’s almost harder. I’m strapped to him back to back. We’re in wires and harnesses—but then you also have to deliver the comedic timing, the rhythm.”
Predator: Badlands, now in theaters, pairs Fanning with Dimitrius Schuster-Koloamatangi in a story that reimagines the franchise in a fresh and future-set direction. The plot follows a young Predator, shunned by his own clan, who forms an unexpected bond with Thia—one of Fanning’s characters—as they venture across a dangerous planet seeking a legendary opponent. The film blends action, adventure, survival, and character-driven storytelling, showcasing exactly why Fanning believes genre filmmaking deserves more respect: it allows actors and directors alike to push boundaries that traditional narrative frameworks often can’t accommodate.
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The project comes from director Dan Trachtenberg, known for revitalizing genre favorites through tense, character-centered storytelling in films like Prey and 10 Cloverfield Lane. Writers Patrick Aison (Prey) and Brian Duffield (Love and Monsters, No One Will Save You) bring their signature blend of emotional nuance and high-concept imagination—further supporting Fanning’s argument that genre filmmaking is as artistically rich as any awards-season staple.
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Early reviews have echoed that sentiment. Critic Meagan Navarro praised Fanning’s dual performance, noting that she “quickly finds her stride as the surprising moral compass” while also excelling in her sharply contrasting role as Tessa. It’s the kind of ambitious acting showcase that would typically earn awards buzz—if not for the lingering bias that Fanning hopes the industry will finally set aside.
As conversations around awards inclusivity continue to evolve, Fanning’s voice adds meaningful momentum. Her message is clear: great storytelling transcends labels, and artistry shouldn’t be confined by genre. With more actors, filmmakers, and audiences embracing bold, unconventional cinematic visions, the future may very well bring the recognition that genre films—and the artists behind them—have long deserved.