Call Me Nothing, produced and directed by Mark Andrew Bowers, is digging into the messy, unglamorous corners of the human mind—and inviting the community to join the journey.
This gripping psychological thriller uses the Japanese idea of “three faces” as its central motif: the face we show the world, the face we reserve for loved ones, and the face we keep hidden. It’s a gritty, “slow-burn” story about memory, loss, and the fight to reclaim one’s identity.
A Story of Three Faces
Shot in remote forests and abandoned villages, the production has already completed more than 50 days of filming for just the opening twenty minutes. The team, led by Marcela and Mark Bowers, is now live on Indiegogo seeking $300,000 to complete post-production, sound, and global distribution.
But this campaign is about more than just finishing a film. It’s about building an outreach program that connects the film’s themes to real-life struggles with ADHD, depression, and anxiety.
Marcela Cárdenas, who also stars, says the three-face concept was the key to translating complicated inner experiences into images audiences can feel. “We all wear masks,” she says. “But some of us aren’t taught how to take them off safely. Call Me Nothing is about the cost of that silence—and what happens when the third face, the one no one sees, is finally forced into the light.”
From a Raw Idea to a Communal Mission
Mark Bowers, the film’s director, describes the project as both personal and communal. “We started with a small idea in mid‑2024 and let it grow into something raw and relentless. The film is made with love and with anger—love for those who survived, anger at the systems that failed them. We want it to be cinematic, but we also want it to be useful: a mirror for people who feel unseen and a platform where their stories matter.”
The narrative follows Amaris, a woman whose memory is fragmented by trauma. Her search for a lost protector, Lila, becomes a descent through a maze of memories, manipulations, and relived violence. The film uses recurring motifs—a chameleon, a rabbit, cassette tapes, and a coded number—to trace the ways identity is stolen and reclaimed.
Beyond the Age of Reboots: A Call for Authentic Storytelling
In a film landscape dominated by sequels and reboots, audiences are actively searching for groundbreaking original stories. Film industry trends show a clear demand for “authentic storytelling” that reflects real-world dynamics and diverse, complex characters.
Call Me Nothing is a direct answer to that call. It’s not a fantasy; it’s a work of “social realism” wrapped in a thriller’s clothing. It tackles themes of social fragmentation and isolation head-on, focusing on the real human fears and “melancholic memories” that shape us. This is a story for those who crave depth and want to see “authentic representation” of mental health and survival on screen.
A New Thriller for Fans of “Unreliable Narrators”
The psychological thriller genre is more popular than ever, and Call Me Nothing hits all the right notes for fans of “mind-bending” narratives. The film is built around an “unreliable narrator,” as Amaris’s fragmented memory forces the audience to question what is real and what is a construct of her trauma.
This “slow-burn” approach builds suspense through atmosphere and character, not jump scares. It’s a film that explores the “darker side of human nature” and the “mind games” people play, both with others and themselves. If you love films that keep you guessing long after the credits roll, this is a project to watch.
Trauma-Informed Filmmaking: A Focus on Care
Community and care have been central to the production from day one. The young actors were supported with trauma-informed direction and on-set safeguards. Every scene with child performers was rehearsed as a game of trust, ensuring they felt safe, confident, and protected. Crew members were briefed on emotional safety and debriefing protocols after difficult scenes.
That sensitivity extends to the film’s outreach. The Indiegogo campaign pairs cinematic rewards with meaningful access. Backers can download exclusive material, like ten sketches from Amaris’s sketchbook and five diary pages that reveal the character’s private thoughts. Higher-tier rewards include collectible props and immersive items tied to the film’s central symbolism, all designed to deepen the audience’s connection to the story.
Join the ‘Call Me Nothing’ Indiegogo Campaign
The campaign also foregrounds mental health inclusion. “People with ADHD, depression, and anxiety are often sidelined in mainstream narratives,” says Marcela. “We wanted this film to fold those experiences into the very texture of the story—not as labels, but as lived realities. Backers who resonate with those experiences aren’t just donating—they become part of a community that the film speaks for.”
To amplify this, the filmmakers plan a social campaign titled the “Three Masks” challenge: a short series of teasers asking people to reflect on which face they present in public, to friends, and to themselves. The campaign will encourage followers to share brief, stigma-free reflections and use the film’s symbolism as a conversation starter about masking and mental health.
Marcela and Mark emphasize that Call Me Nothing is not a clinical primer. Instead, they position it as a cathartic, empathetic piece of art. “Our priority was never shock for its own sake,” Mark says. “It was honesty. If the film helps someone feel less alone for even a moment, then we’ve done something right.”
Backers will help fund:
Completion of editing, sound design, and color grading.
Original score and licensed music.
Distribution, festival submissions, and promotional campaigns.
Accessibility features and community screenings with moderated talkbacks.
The team hopes to premiere the finished film in early 2026. For anyone interested in contributing to a film that combines art, social relevance, and care, this campaign is an opportunity to help bring voices too often kept in the dark into the light.
Find the project on Indiegogo to view rewards, download exclusive art, and join the conversation about masks, memory, and the hard work of being seen.
About the author
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