Call Me Nothing  A Poetic Descent into Inner Chaos

A psychological thriller that dares to explore the raw truth of mental illness and memory

There are films that entertain, others that disturb, and a rare few that manage to alter the emotional rhythm of the viewer. Call Me Nothing , directed by the visionary Mark Andrew Bowers, belongs to that last category. It’s a cinematic experience that transforms the psychological thriller into an intimate exploration of trauma, memory, and identity.

Rather than follow a traditional narrative, Call Me Nothing  plunges into the mind of a woman shattered by her past. The story unfolds through fragments—distorted memories, internal voices, recurring symbols, and spaces that breathe pain. The viewer doesn’t observe from a distance; they inhabit the chaos alongside her.

What sets this film apart is its unflinching and honest portrayal of mental health disorders. The protagonist doesn’t just face the echo of a stolen childhood—she lives with conditions that affect millions of people around the world:

• Depression, which pulls her into states of isolation and hopelessness.
• Anxiety, which keeps her in a constant state of hypervigilance, as if danger never left.
• ADHD (Attention Deficit Hyperactivity Disorder), which disrupts her ability to focus and regulate emotion.
• And an extreme psychosis, where hallucinations, paranoia, and dissociation sever her from reality entirely.

The film doesn’t romanticize these conditions or turn them into spectacle. Instead, it presents them as part of a silent, daily, deeply human struggle.

Mark Andrew Bowers constructs a visual world that is as beautiful as it is unsettling. Every frame, every shadow, every sound is loaded with meaning. The use of red lighting, confined rooms, sonic distortion, and repeated motifs reinforces the sensation of being trapped in a mind that no longer distinguishes past from present.

The fragmented editing and temporal shifts aren’t stylistic flourishes—they are a direct representation of the protagonist’s mental state. The viewer doesn’t just understand her confusion—they experience it.

Though Call Me Nothing  operates within the psychological horror genre, at its core it is a story about the search for identity. The protagonist doesn’t just want to escape pain—she wants to remember who she was, who protected her, and what it means to be loved.

The film poses profound questions: What happens when trauma erases your memories? How do you rebuild an identity when everything you were has been stripped away? Can love survive forgetfulness, pain, and madness?

These questions aren’t answered through exposition, but through imagery, silence, and symbols that echo like emotional reverberations.

A cinematic and emotional challenge

Bringing a story like Call Me Nothing  to the screen demands bold direction, a script that embraces ambiguity, and a central performance capable of carrying immense emotional weight. The result is a film that doesn’t just make an impact—it lingers. A film that stays on your skin, in your mind, and in your dreams.

In a world where millions live with mental health disorders, Call Me Nothing  offers a raw yet necessary representation. It doesn’t glorify suffering, but it doesn’t hide it either. It invites empathy, reflection, and the recognition that the most intense battles are often fought in silence—within the mind.

Call Me Nothing  is an experience that challenges, moves, and transforms. Under the direction of Mark Andrew Bowers, it becomes a film that doesn’t just speak of pain—it turns it into art. A film not merely watched, but deeply felt.

Call Me Nothing  is currently launching a crowdfunding campaign on Indiegogo to bring this haunting vision to life. If you believe in bold, emotionally resonant cinema that gives voice to mental health struggles and untold stories, this is a project worth supporting. Don’t miss the chance to be part of something unforgettable